Behind the Scenes: Our Studio Photography Setup

Half the imagery in our portfolio was shot three metres from the desks where it was designed. The in-house rig is modest (two strobes, one seamless, a wall of grip gear), but proximity beats horsepower.

Why we shoot in-house

When the photographer sits in the design review, the shot list writes itself. We storyboard against the layout, shoot straight into the artboards, and know within the hour whether the crop breathes or chokes.

The setup earns its keep on campaign work like the splash series for Citrus Street: two very sticky days that would have cost a week in a rented studio.