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The same gallery, crossfaded instead of slid. A quieter transition suits calm, photographic subjects.
Read MoreA second video format example, this time on a different platform, to show that the card does not care which player it is given.
Read MoreOne more audio entry, so an archive page has enough records to fill a four-column grid without repeating itself.
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A second image entry. Two records of the same format in one archive prove the card is driven by data and not by position.
Read MoreA third video entry rounds out the roster so masonry and four-column grids have enough cards to lay out properly.
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Early light, an empty street and a fixed lens. A short field report on working slowly and keeping the frame simple.
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Owning the archive turned out to matter more than the distribution we gave up to get it.
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Where they came from, what they opened, and which of our assumptions did not survive contact with them.
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