Explore the Archive
Every frame in the studio catalogue: pick an album, then click any image.
Thirst at Golden Hour
The last climb of the evening ended on a ridge above the valley, and the light held just long enough for one frame. Backlit dust, a bottle raised, and the whole hillside turning amber behind him. Field notes, Malibu Canyon
- Canon EOS R6
- 35mm
- f/2.0
- 1/1250
- 100
Kickflip Over the Bin
Six attempts, one landing. Shooting skateboarding is mostly about learning the rhythm of a trick so the shutter falls exactly where the board does. Field notes, Venice Skatepark
- Sony A7 III
- 24mm
- f/4.0
- 1/2000
- 400
Blue Hour Over the Marsh
Twenty minutes before sunrise the marsh gives up its colour and everything settles into teal. A long exposure smooths the water into a single sheet of glass. Field notes, Norfolk Broads
- Nikon Z7 II
- 20mm
- f/8.0
- 4s
- 64
Icelandic Manes
They walked to the fence line the moment the engine stopped, curious rather than shy. Icelandic horses have that quality of meeting the lens halfway. Field notes, South Iceland
- Canon EOS R5
- 70mm
- f/2.8
- 1/800
- 200
Copper and Mint
A bar shoot is a still life with a deadline. One garnish, one pour, one breath of condensation on the copper before it clouds over. Commissioned, Halcyon Bar
- Sony A7R IV
- 90mm
- f/3.5
- 1/160
- 320
Berry Lattice, Flat Lay
Two pies, a linen cloth and a window on the north side of the kitchen. Food photography rewards patience with the props far more than tricks with the light. Commissioned, Sable Kitchen
- Fujifilm X-T4
- 50mm
- f/5.6
- 1/125
- 160
Above the Cloud Line
We started in the dark and reached the summit as the inversion rolled in beneath us. He stood still for maybe four seconds, which was three more than I needed. Field notes, Lake District
- Nikon Z6 II
- 28mm
- f/5.6
- 1/500
- 100
Window Light, Wedding Day
The quietest ten minutes of any wedding happen before the doors open. One tall window, one long veil, and nothing else in the room. Wedding of Amara and Theo
- Canon EOS R5
- 50mm
- f/1.4
- 1/200
- 640
Rings and Lace
Detail frames carry a wedding album. Rings photographed on the dress rather than a ring box keep the story inside the day itself. Wedding of Amara and Theo
- Canon EOS R5
- 100mm
- f/2.8
- 1/250
- 400
Crimson in the Garden
Deep red against a wall of green is the simplest colour lesson there is. We shot it in open shade so the dress kept its saturation. Editorial, Verdant Issue 06
- Sony A7 III
- 85mm
- f/1.8
- 1/640
- 200
Three Small Explorers
Family work is documentary work. Stay far enough back, stay quiet, and let the field do the composing. Family session, the Harlows
- Leica Q2
- 28mm
- f/4.0
- 1/1000
- 200
Rooftop, Downtown
Concrete, glass and one figure to give the skyline a sense of scale. Shot late enough that the buildings behind stopped competing for attention. Editorial, Concrete Issue 02
- Fujifilm X-T4
- 35mm
- f/4.0
- 1/400
- 160
Fog on the Ridge
Weather that ruins a hike makes a photograph. The fog moved through the pines in bands, so it was simply a matter of waiting for the right band. Field notes, Cascades
- Nikon Z7 II
- 135mm
- f/6.3
- 1/320
- 160
First Days
Newborn sessions run on the baby's clock, never the photographer's. This one lasted eleven minutes and gave us everything. Newborn session, the Aldens
- Canon EOS R6
- 85mm
- f/2.2
- 1/200
- 800
Trail Riders, Wide Sky
A wide lens and a low horizon give the sky the space it deserves. The riders were happy to walk the same fifty metres three times over. Field notes, high desert
- Sony A7 III
- 18mm
- f/8.0
- 1/1000
- 100
Carrying the Camera
Half the job is walking. This was made on the way back down, when the light had already gone soft over the water. Field notes, Jurassic Coast
- Fujifilm X-Pro3
- 23mm
- f/2.8
- 1/500
- 160
Windward Light
Wind is a collaborator once you stop fighting it. We shot into the sun with a hand-held reflector and let the flare stay in the frame. Portrait session, Kestrel Hill
- Canon EOS R5
- 85mm
- f/1.8
- 1/2500
- 100
Rainforest Falls
Deep shade, constant spray and a tripod planted in moss. A neutral-density filter turned the falls into a soft ribbon behind him. Field notes, Columbia Gorge
- Nikon Z6 II
- 24mm
- f/11
- 1/4
- 64
Denim on Blue
The alcove was already the right colour, so the styling only had to agree with it. Nothing here was added in post. Editorial, Indigo Issue 11
- Sony A7R IV
- 55mm
- f/2.5
- 1/320
- 200
The First Look
A first look is the only moment of a wedding day that belongs to two people alone. Everything after it is shared. Wedding of Ines and Caleb
- Canon EOS R6
- 50mm
- f/2.0
- 1/400
- 250
After the Rain
Rain leaves a hundred small lenses on every leaf. Macro work is the one branch of the craft where the smaller you go, the more there is. Field notes, garden studies
- Canon EOS R5
- 100mm
- f/4.0
- 1/250
- 400
Sit, Stay, Smile
Dogs give you one honest expression before they get bored of you. Have the exposure ready before the treat comes out. Commissioned portrait
- Sony A7 III
- 135mm
- f/2.0
- 1/1600
- 200
Ivy Wall Portrait
Ivy makes a forgiving backdrop: dense enough to separate the subject, textured enough to stay interesting out of focus. Portrait session, city studies
- Fujifilm X-T4
- 56mm
- f/1.6
- 1/500
- 160
Tide Pools at Dusk
Swimwear work lives or dies on the last hour of light. Once the sun drops behind the headland the water goes pearl and everything softens. Editorial, Saltwater Issue 04
- Canon EOS R6
- 70mm
- f/2.8
- 1/800
- 320
The Quiet Corner
Interiors are portraits of the people who are not in the room. One chair, one lamp and a wall of small decisions. Commissioned, Studio Nine
- Sony A7R IV
- 24mm
- f/5.6
- 1/60
- 400
One Boat, Cold Water
Scale is the whole photograph here. A single red hull against a fjord makes the mountains readable. Field notes, northern crossing
- Nikon Z7 II
- 105mm
- f/7.1
- 1/640
- 100
Ink and Shoulder
Tattoo work is lit like sculpture: one hard source raking across the skin so the line work keeps its edges. Studio session, Blackline
- Canon EOS R5
- 85mm
- f/4.0
- 1/200
- 200
Looking For Something Specific?
Unpublished frames, alternate crops and full contact sheets are available on request.The archive holds far more than the selection published here. Tell me the album, the mood or the year and I will send a private gallery within two working days.
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